When To Put The Camera Down



I am constantly reading books. Not because I think I’m smart. For the opposite reason actually. I’m aware there is so much I don’t know and need to learn. I came across this passage recently which got me thinking.

“we need to rethink our memories. What if the point-and-shoot cameras in our phones make us less capable of retaining discrete memories? One psychologist calls this camera-induced amnesia the “photo-taking impairment effect,” and it works like this: by outsourcing the memory of a moment to our camera, we flatten out the event into a 2-D snapshot and proceed to ignore its many other contours—such as context, meaning, smells, touch, and taste… If the cameras in our pockets mute our moments into 2-D memories, perhaps the richest memories in life are better “captured” by our full sensory awareness in the moment—then later written down in a journal. This simple practice has proven to be a rich means of preserving memories for people throughout the centuries. Photography is a blessing, but if we impulsively turn to our camera apps too quickly, our minds can fail to capture the true moments and the rich details of an experience in exchange for visually flattened memories. Point-and-shoot cameras may in fact be costing us our most vivid recollections. But until we are convinced of this, we will continue to impulsively reach for our phones in the event of the extraordinary (or less).” Tony Reinke – 12 Ways Your Phone Is Changing You

When I was in middle and high school I had a camera with me all the time. The camera on me was always the best camera I owned. I would document everything. Hanging out with friends. Family get togethers. Nature scenes and wildlife on the way to and from church, school, or commissioned shoots. Everything. If I didn’t bring my camera with me it seemed like the event was a waste. During college my thinking started to shift. I started only bringing my professional camera with me to professional shoots for school or clients. As I grew older I became less and less obsessed with documenting every mundane detail of life. Instead I choose to live in the moment. This thinking didn’t change overnight. It wasn’t even something I really thought about until I came across the Reinke quote. It was something that gradually happened over time. In December 2013 I bought my first iPhone. The iPhone became the camera I would document ordinary life with instead of a professional camera. I even created a personal series of iPhone images from late 2013-2016. The series saw less and less additions as time went on. In 2017 almost no new images where added. In 2018 I fully removed the gallery from my website. Now in 2019 I rarely take photos with my iPhone. The exception would be images for other business related tasks instead of artistic endeavors. Photos of business cards, location scouting, or of my car so I can find out how to get back to where I parked. I’ve had to many awkward experiences with the former to not be overly cautious now. Get togethers with friends, networking events, and my other ordinary busy work see no photographic documentation from me.

A friend of mine who runs in the same entrepreneurial circles I do shares a similar outlook. He greatly enjoys travel, but doesn’t take photos of his trips. Why? Because he would rather enjoy the moment than worry about getting a good photo.

It is okay to put the camera down. Enjoy the moment. You don’t need to document every minute detail of your life.

“I now find peace in the realization that countless potential masterpieces happen each moment the world over and go unphotographed.” Dan Winters – The Road to Seeing

Productivity Hacks: Buffer


In 2017 I made a ton of changes to my business. One of the smartest decisions I made was starting to use Buffer. Buffer allows me to schedule social media posts in advance from my computer or phone. I use Buffer to send posts to my business Facebook page, Instagram, Twitter, Pinterest, and the facebook group I manage. Using Buffer saves me a ton of time. I no longer have to interrupt conversations and other tasks to post at the optimum time on social media. I single task. I will write several weeks or months worth of social media copy at a time and schedule it using Buffer. I would highly recommend anyone who uses multiple social media platforms for business check out Buffer.

How I Got the Shot: Frigid Gesture

 

Since I first got started in photography I loved wildlife and nature photography. I even got some of my bird photography published in Audubon, Nature’s Best Photography, and a few other publications back when I was in high school. Due to using primarily shorter telephoto and standard lenses (which are a bit short for wildlife photography) I don’t shoot a ton of wildlife work anymore.

In early December 2016 I woke up early Sunday morning to head to church. I put the key in the ignition of my car and it didn’t start. I messed around with it trying to get it to start until it got to the time that I would be late for church anyway. I went back in and noticed the beautiful light streaming down on the frigid trees in my backyard. I grabbed my Nikon D600 with my go to Nikon 80-200mm f/2.8 Lens. When I got out there were several chickadees out their as well eating from our bird feeders. This chickadee had just landed on the barbed wire fence causing some snow to fall off of the fence. The golden light streaming thru the trees lit this falling snow making the image. This little bit of movement and gesture is what makes the shot one of my better wildlife images.

Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens. ISO 800 200mm f/2.8 1/4000 of a second shutter speed.

Find this article helpful? Consider supporting Ryan Watkins Photography on Patreon. 

 

How I Got the Shot: Bird Butt

Because I primarily shoot portraiture and weddings my gear choices reflect that. I have a great deal of respect for those who shoot wildlife but I don’t get to do it much myself anymore due to other priorities. The longest lens I currently own is my Nikon 80-200mm f/2.8 (yes 80-200mm not 70-200mm; the 80 is cheaper and I don’t need the bells and whistles of the 70) which is great for portraiture but can be a bit short for wildlife. Due to this I’m limited to shooting wildlife I can get close to.

For years I’ve wanted to get a good cardinal image (especially when I was younger and my aunt who loved cardinals was still alive). The first time I had gotten a cardinal image I was happy with was a year prior in 2016 (that image would later get used as the cover of the Phone Guide Isabella – Gratiot County January 2017-2018). These birds are very skittish. I was worried that my camera’s shutter noise would scare off the cardinal (one of my few gripes with the Nikon system is how loud their camera shutters are and the quite mode’s uselessness). The cardinal stayed put long enough for me to get right up into the window. As the cardinal flew away it kicked up some snow off the railing. Later in post I would crop in quite heavily to emphasis the snow being kicked up. Little bits of gesture like this in any photograph greatly improve their quality. This ended up being one of my most liked images on Instagram in 2017 and an image people have mentioned they liked to me in person several times over the year.

Shot using a Nikon D600 and a Nikon 80-200mm f/2.8 Lens handheld. ISO 800 200mm f/4 I/4000 of a second shutter speed.

 

Find this article helpful? Consider supporting Ryan Watkins Photography on Patreon. 

 

How I Got the Shot: The Accidental Homage to Kinkade

 

I enjoy shooting commercial photography, but due to my area (rural mid-Michigan) I seldom get to shoot much which would fall under that category. A few years ago in late 2013 and early 2014 I was commissioned to shoot images of the exteriors of various churches which were part of the Church of Daniel’s Band (a non-denominational church with its roots in Methodism which I grew up attending). I knew shooting these images at midday would result in boring images. Instead I opted to shoot them during the “blue hour” (as us photographers call it) shortly after sunset when everything has a bluer tint to it. This would create contrast between the warm tungsten bulbs lighting the interior of the church and cool evening light hitting the exterior. I also wanted the church to have some shape and dimension to it as well. To achieve that look I used my Alienbee B1600 flash to light the part of the church with the entrance door. I placed the flash far enough back that the light would spread and light that entire side of the church. This made that side of the church slightly lighter giving the church some dimension (making it look more three dimensional). The light put off by my strobe is daylight balanced (which means it looks white to my camera) so I had to adjust the colors in post making the strobes match the ambient blue light. Looking back now I could have also attached a CTB (color temperature blue) gel to the light to minimize my time in Photoshop correcting the colors. I also added a moon to the sky in the background in post to add to the night time look. After showing this image to various people many have commented that it reminds them of Thomas Kinkade’s paintings. People have made similar comments about other night (images taken shortly after sunset during the “blue hour”) images of mine that they remind them of Kinkade’s work. I’ve been aware of Kinkade’s work for years but none of my “blue hour” shots have been intended as an intentional homage to his work (even though I’ve always liked his work). He and I use a similar technique to make our images shot (or in his case painted at this time of day) look dramatic. The natural color contrast between the warn interior light and the cold exterior light always makes for dynamic engaging images regardless of medium.

Shot using a Nikon D600 with a Sigma 28-70mm f/2.8 Lens on a Feisol Carbon Fiber CT-3371 Tripod with a Kirk B3 Ball Head with an L bracket. Lit with an Alienbee B1600 triggered with Radio Poppers and powered with a Vagabond Mini. As I’ve stated before I quit using Radio Poppers in 2016 and switched to the cheaper and more reliable Yongnuo triggers. ISO 100 28mm f/10 0.8 of a second shutter speed.

 

Find this article helpful? Consider supporting Ryan Watkins Photography on Patreon. 

How I Got the Shot(s): The Ents and The Omelettes

In early 2017 I spent a good amount of time reading business books and shooting winter landscapes around (primarily) Clare, Michigan. Since I first got started in photography I have loved photographing nature. As I’ve grown older I’ve learned to love the small town community I grew up in as well. It seems like a natural fit to shoot the countryside around Clare.

 

During my travels thru the rural roads near Clare I eventually found places I would return to frequently. One of those was the historic Dover School. Many places near the Dover School proved to be beautiful locations for both the fall colors and the winter landscapes. If you take a right leaving the Dover School parking lot and take a right at the first road you see and keep going you will eventually run into the tree featured above. I have always loved this old craggily tree. These have some much texture and character which makes them great photographic subjects. I had photographed this tree several times but had yet to come across it when the conditions were right to make a good lasting photograph. With trees on property I have access to I can easily get out my artificial lighting and make the tree look really cool. Since this tree is on private property (and I have a very high view of private property rights) I’m restrained to what images I can get of this tree from parking lots and the road. Usually when I would come to visit this tree there was little separating it from the trees behind it making it blend in with them resulting in a busy cluttered photograph. When I was out shooting on this particularly blustery winter day the high winds were kicking up snow between the ent like tree and those behind it. These snowy wind gusts made a white background separating the tree I liked from those behind it. This image is actually a small panoramic composite of two images. Because I knew I would want to print this image large I shot two images right next to each other and combined them later in Lightroom creating one large file which can be printed at even larger sizes. One of the reasons I like this image is the tree seems reminiscent of the ents from J.R.R. Tolkien’s The Lord of the Rings. I had read the books multiple times back in middle and high school and hope to again sometime sooner than later.

Shot using a Nikon D600 with a Nikon 80-200mm lens handheld. ISO 800 80mm f/4 1/4000 of a second shutter speed.

While training my second shooter for weddings, Nikki Robinson, I found out that she always calls the Amish omelettes. I have no idea why this is now this is but  I find myself accidentally referring to the Amish as omelettes now to. I’ve heard people say you become like the people your around the most and I guess this proves that theory true.

 

On that same day that I shot the ent like tree I also came across these cold omelettes raveling home in the fog. I slowed down and grabbed a few images of them before passing them and traveling to other locations to photograph. As I’ve grown older I’d grown to love this local community here in Clare, Michigan and I think this image of these Amish traveling in the snow is a beautiful representation of Clare, Mi.

Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens. ISO 800 170mm f/4 1/4000 of a second shutter speed.

Find this article helpful? Consider supporting Ryan Watkins Photography on Patreon. 

How I Got the Shot(s): The Change of Seasons

2016 marked a return to photographing fine art nature and landscape work for me. I had loved this type of photography when I was in high school, and had even had some of the images in this genre of photography published in magazines back then. As I grew older and photography became a profession instead of a hobby I’ve ended up putting more emphasis portraiture and weddings.

One of the big projects I worked on in 2016 was photographing the local fall foliage (primarily) around Clare County. After a few days of shooting I found a handful of places I liked and returned to. I regrettably didn’t keep a close track of some of the more hard to find places that I came across. A place I ended up coming back to several times was the Dover school just outside Clare, Michigan. This place usually has beautiful fall colors during the entire fall season.

While shooting these fall colors it started to unexpectedly snow allowing me to capture images with both snow and the fall leaves. These images remain some of my favorite fine art nature images that I’ve taken in recent years. At no other time have I been able to capture both the fall colors and snow in the same images.

Capturing (most of) these images was pretty simplistic. I would drive around the rural roads pull my car over and walk up and down the roads capturing the best leaves. When you point your camera at a subject your camera thinks it needs to make the subject 18% grey. Regardless of if you are photographing a black bear in a cave or a polar bear in the snow your camera thinks the photo needs to be 18% grey. Due to this when shooting in the snow your camera will usually make the images slighting to dark (or underexposed). If you are using an automatic or semiautomatic mode (like aperture priority or shutter priority) you can easily correct this by slighting increasing your exposure compensation to +⅓ or + ⅔ of a stop. Take some test shots to make sure your aren’t making the image to bright (overexposing). Many cameras have a function I usually refer to as the “blinky” which will alert you if their are pixels so bright in your images that they can’t be saved in post production. The pixels will flash red. Turing this feature on is very helpful when shooting in the snow.

The image at the top of this post was captured just down the road from the Dover School. I have photographed these trees numerous times. A few months later I would get images of these trees during a snowstorm which would become one of my most liked images for the year of 2017. Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens handheld. ISO 400 105mm f/2.8 1/1600 of a second shutter speed.

This next image was shot on the same road near the Dover School but I had to use a different technique to capture it. I moved my camera from left to right shooting several images with the same exposure intending to later merge the images in one large panoramic image later in Lightroom. To make the panoramic stitching easier I made sure to shoot in manual exposure mode the brightness of the images wouldn’t vary. Also using a long lens at a shallow depth of field allows for a look most people aren’t used to seeing in landscape photography. Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 lens handheld. All images which were later stitched together were shot at ISO 400 80mm f/2.8 1/1600 of a second shutter speed. (panoramic)

This image was shot in the parking lot right next to the Dover School. This is another tree I have returned to and photographed many times in many different seasons. Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens handheld. ISO 400 100mm f/8 1/320 of a second shutter speed. (Dover school snow on tree)

This last image was shot on Maple Road right off of Tobacco Drive outside Clare, Michigan somewhat near Loomis, Michigan. I used a wider lens to capture more of the scene and stopped down to a narrower aperture (larger f number) to ensure the entire scene would be in focus. From using my Sigma 28-70mm for years I’ve learnt where the lens is most sharp and has the least vignetting which was another factor into why I shot using f/8). Shot using a Nikon D600 with a Sigma 28-70mm f/2.8 lens handheld since I was standing in a road. ISO 1600 28mm f/8 1/250 of a second shutter speed. (maple road)

After photographing Maple Road my windshield wiper motor died. My car is constantly having bizarre yet minor issues with it (this case being the perfect example). I drove to Coleman to get it fixed. I wasn’t able to get it fixed that day so I had to drive in the snow to Midland than evening to a Bible study without windshield wipers. I’m incredibly thankful that I was providentially kept safe during that experience.

Find this article helpful? Consider supporting Ryan Watkins Photography on Patreon. 

How I Got the Shot: The Peak In Field

Way back in 2011 my parents and I made a trip out to the Canadian Rockies in Alberta and British Columbia Canada. In 2017 I revisited many of my old nature images and have done new retouching in Lightroom and Photoshop. This image was one of the few which needed no new or improved retouching applied to it.

Most of the days of my parents and I’s trip in the Canadian Rockies thus far had been cloudy. This lead to me mostly photographing wildlife such as black bear, elk, moose, and grizzly bear. I had yet to get many landscape shots I was very happy with (with the exception of a shot of the well known Peyto Lake). On this day as sunset approached, my parents and I crossed over into British Columbia near the small town of Field (an ironic name if you think about it). Most of the rest of the trip was spent in Alberta. We drove across some very curvy mountainous roads and eventually came to a very large waterfall that my parents were trying to find (I no longer remember the name of the waterfall). After viewing the waterfall for a while we started our trip back to our hotel (which was in Canmore, Alberta). A beaver ran out in front of us (how Canadian). My dad tried to stop the car in time for me to get a shot of the beaver, but we were to late. Shortly after the missed beaver, the sun started to break out of the usually overcast clouds. The light streamed thru lighting this one lone peak. We were able to pull off on a scenic turnout on one of the thin twisty mountainous roads, where I was able to get out of the car with my massive Velbon metal tripod (upgrading to a carbon fiber Feisol about a year later was quite the relief). I stood in the middle of the road and grabbed as many frames of this mountain peak as I could before that lonely light bean was removed by the passing clouds. I’m incredibly thankful for how my parents and I were able to providentially come across this beautiful scene. Many landscape photographers prefer images of lesser known areas (such as this nameless mountain peak in Field, British Columbia) than well known icons (think Mt Rundle for the Canadian Rockies or Tunnel View in Yellowstone). In Photoshop I increase the contrast and cropped the image in tighter. This image would later be published in Outdoor Photographer Magazine in their March 2012 issue. More images from that trip are available to view and purchase thru my fine art website.

Shot using a Nikon D200 with a Nikon 70-300mm AF-S VR f/4.5-5.6 Lens on a Velbon Metal Tripod. ISO 100 140mm f/8 1/20 of a second shutter speed.

Find this article helpful? Consider supporting Ryan Watkins Photography on Patreon. 

How I Got the Shot: The One I Don’t Like But Everyone Else Does

I think anyone who is honest with themselves can look back at things they’ve done and go “well that was stupid.” The story behind the above image is one of those. Back when I lived in Massachusetts my friends and I would regularly go to an abandoned insane asylum called the Belchertown State School. We had got wind of rumors that the asylum would be demolished soon so we went there quite frequently. The Belchertown State School specialized in treating children, but their methods in those days were probably closer to what we call torcher than treatment today. Not a nice place. The “school” had been closed down for years and many buildings were in various states of decay. It was also a hot spot for “paranormal research.” We ran across people who were “paranormal researchers” there and got to hear some of their (not quite compelling) claims. Due to the decay many of the multiple story buildings were very dangerous to navigate thru.

Outside of our normal assignments at the Hallmark Institute of Photography (which was pretty much a trade school for photographers) we would have various contests as well. One of which was all about breaking the traditional rules of photography. The above image was my entry.

This image as shot inside one of the many buildings comprising the Belchertown State School. I had my camera set on a tripod and lit part of the hallway with a flashlight (yes an ordinary flashlight not a traditional camera flash). I moved the camera on the tripod (by changing the camera from horizontal to vertical orientation) and lit other parts of the hallway. This was done by using a very long exposure. I did several tests with this exposure being my favorite at the time. I did some minor global (affecting the entire image) adjustments in Lightroom. This image ended up winning the aforementioned contest.

At the time I thought this image was cool. Some people even thought they saw my reflection in the image (the dark shape which looks like it is wearing a driving cap and a black sweater). There’s nothing reflective in the image so I don’t buy it. Looking back now this image is a far cry from the things which encapsulate my style (clean simple elegant timeless). Does this image showcase the good, the true, and beautiful? Not really. It shows a place with a dark past lingering in decay shot using a weird gimmicky technique. Not very aesthetically pleasing. Never the less people still really like this image even though as my understanding of art and aesthetics have grown with age I have grown to dislike it.

Shot using a Canon 5D Mark III with a Canon 24-70mm f/2.8 Lens on a tripod with a pan and tilt head. ISO 1600 24mm f/13 30 second exposure.

Find this article helpful? Consider supporting Ryan Watkins Photography on Patreon. 

 

How I Got the Shot(s): Studies of Cassi Over the Years

It is always great when you can find a great reliable model to work with. My first shoot with my distant cousin Cassi was way back in high school when she hired me to photograph some images of her belly dancing in Beaverton, Michigan. After I graduated from the Hallmark Institute of Photography and moved back to Michigan, she became one of my go to models. I’ve had her both model and assist on several personal and commercial shoots.

 

This first image was shot in Nelson Park in Mt Pleasant, Michigan shortly after graduating from the Hallmark Institute of Photography in 2013. As I had mentioned before Cassi is a belly dancer and she came prepared to this shoot with all of her belly dancing garb. I had cassi stand behind the leaves of some weeping willow trees. The late afternoon light worked as a backlight separating her from the background. I lit her face with an Alienbee B1600 strobe with a shoot thru umbrella to create a nice soft light. I used a longer lens (my Nikon 80-200mm f/2.8) at a wide aperture (smaller f number) to throw both the background and the leaves in front of her out of focus. I just recently bought this lens and knew that stopping down to f/4 (instead of shooting wide open at f/2.8) would result in a sharper image. After using the lens more I found out that I could get images which were plenty sharp wide open at f/2.8.

Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens. Lit using an Alienbee B1600 with a shoot thru umbrella triggered with Radio Poppers powered with a Vagabond Mini. As I’ve mentioned in prior posts I quit using Radio Poppers in 2016 because I found them unreliable and switched back to using Yongnuo flash triggers which are way cheaper and have been far more reliable in my experience. ISO 64 170mm f/4 1/125 of a second shutter speed.

 

This image of Cassi remains one of my favorite images I’ve taken period. This was shot during an evening at Nelson Park (one of my most frequented locations) in Mt Pleasant, Michigan. I’ve shot several images on these rocks with a variety of different models but none of them have lived up to this image of Cassi fully decked out in her belly dancing garb. I had Cassi sit on the rocks in front of the waterfall and I boomed the the light out in front of her head. This makes the soft light come from above instead of the side. In post I later did some dodging and burning to bring out the shapes of rocks and her outfit.

Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens on a Feisol Carbon Fiber CT-3371 Tripod with a Kirk B3 Ball Head with a Kirk L Bracket. Lit using an Alienbee B1600 with a shoot thru umbrella triggered with Radio Poppers powered with a Vagabond Mini. ISO 100 155mm f/4 1/125 of a second shutter speed.

 

This image was shot just a few minutes after the first image on the trail between Nelson and Island Park in Mt Pleasant, Michigan. I had Cassi go thru her various dances and once she bend over really far. I had her hold that pose and later flipped the image from horizontal to vertical in post. People are always confused by this image because of the orientation and her pose. Her face is lit with the natural light which was soft due to the time of day and there is a slight edge light added with an Alienbee B1600 strobe to give her a bit of separation from the background. I also did a far amount of dodging and burning (lightening and darkening) in post to the get the tones where I wanted them.

Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens on a Feisol Carbon Fiber CT-3371 Tripod with a Kirk B3 Ball Head with a Kirk L Bracket. Lit using an Alienbee B1600 triggered with Radio Poppers powered with a Vagabond Mini. ISO 400 135mm f/4 1/125 of a second shutter speed.

 

I would do another shoot with Cassi in October 2014. This shoot took place at my late grandmother’s property outside of Clare, Michigan. I had always loved photographing craggily trees like those in my grandma’s yard. For this shoot I took multiple images with my Alienbee B1600 lighting various parts of the trees and later merged the different exposures into the result you see above.

Shot using a Nikon D600 with a Nikon 18-35mm f/3.5-4.5 Lens on a Feisol Carbon Fiber CT-3371 Tripod with a Kirk B3 Ball Head with a Kirk L Bracket. Lit using an Alienbee B1600 with an shoot thru umbrella triggered with Radio Poppers powered with a Vagabond Mini. ISO 200 18mm f/13 10 second shutter speed.

 

These next two images were from the same shoot and were Cassi’s idea. She had recently bought a gas mask and wanted to use it in a post apocalyptic looking shoot. We figured the dilapidated barns at my grandmother’s property would work out well. This first image was lit with my Alienbee B1600 strobe from outside the barn. The strobe puts out a white daylight balanced light whereas the natural light was bluer due to the time of day. A longer exposure was used to get the dark blue of the sky to show in the final image. A quicker exposure (like 1/125 of a second) would have made the sky go black making the image far less interesting. Even though these images deviate from my timeless style a bit it is always fun to mess around with the more advanced lighting techniques I was taught in college.

Shot using a Nikon D600 with a Sigma 28-70mm f/2.8 Lens on a Feisol Carbon Fiber CT-3371 Tripod with a Kirk B3 Ball Head with a Kirk L Bracket. Lit using an Alienbee B1600 with a shoot thru umbrella triggered with Radio Poppers powered with a Vagabond Mini. ISO 100 35mm f/16 5 second shutter speed.

 

This next image was shot at the same location but the light was placed inside the building resulting in a far different look. We left the location shortly after taking these images because we heard what we thought were coyotes.

Shot using a Nikon D600 with a Sigma 28-70mm f/2.8 Lens on a Feisol Carbon Fiber CT-3371 Tripod with a Kirk B3 Ball Head with a Kirk L Bracket. Lit using an Alienbee B1600 with a shoot thru umbrella triggered with Radio Poppers powered with a Vagabond Mini. ISO 100 28mm f/16 5 second shutter speed.

 

In the summer of 2015 Cassi and I did a shoot together in Ludington. Ever since I had moved back to Michigan I had wanted to do a shoot with a model in Ludington. This first image was shot at the park right next to the beach. I placed Cassi between two large trees and lit her completely with flash.

Shot using a Nikon D600 with a Sigma 28-70mm f/2.8 Lens on a Feisol Carbon Fiber CT-3371 Tripod with a Kirk B3 Ball Head with a Kirk L Bracket. Lit using an Alienbee B1600 with a shoot thru umbrella triggered with a standard sync cord (I was starting to get tired of the Radio Poppers at this time but hadn’t moved over to the Yongnuo yet) powered with a Vagabond Mini. IS) 50 70mm f/10 1/60 of a second shutter speed.

 

This next image was shot on the beach. This is another one of my favorite images of Cassi. It has a very editorial look to it. Cassi also does larping in addition to her belly dancing. In this image Cassi is decked out in her larping garb. I had the sun lit Cassi’s back and hair separating her from the background. The light breeze caused Cassi’s hair to sway in the wind giving the image a hint of motion and gesture.

Shot using a Nikon D600 with a Sigma 28-70mm f/2.8 Lens . Lit using an Alienbee B1600 with a shoot thru umbrella triggered with a standard sync cord powered with a Vagabond Mini.

ISO 50 70mm f/7.1 1/250 of a second shutter speed.

 

This last image was shot with Casi resting on a bottom of a lighthouse. I wanted the image to be very stark and graphic focusing on the lines and shapes in the image. One of the reasons I changed the image to black and white is so the colors wouldn’t distract from the design of the image. Around this time in my career I felt like I was too dependant on using the Alienbee strobe for my portraits so I started shooting more natural light. As time as went on I’ve started to shoot more with a small Yongnuo speedlight as well as natural light. I still very much like the Alienbee, but it can be a pain to lung around during lengthy location shoots.

Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens handheld in natural light. ISO 400 170mm f/2.8 1/320 of a second shutter speed.

Find this article helpful? Consider supporting Ryan Watkins Photography on Patreon.