Ryan Watkins Photography Portrait, Wedding, Commercial, and Fine Art Photography – Clare, Michigan – Ready to Travel9895789456
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Ryan Watkins Photography
How I Got the Shot(s): The Change of Seasons
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2016 marked a return to photographing fine art nature and landscape work for me. I had loved this type of photography when I was in high school, and had even had some of the images in this genre of photography published in magazines back then. As I grew older and photography became a profession instead of a hobby I’ve ended up putting more emphasis portraiture and weddings.

One of the big projects I worked on in 2016 was photographing the local fall foliage (primarily) around Clare County. After a few days of shooting I found a handful of places I liked and returned to. I regrettably didn’t keep a close track of some of the more hard to find places that I came across. A place I ended up coming back to several times was the Dover school just outside Clare, Michigan. This place usually has beautiful fall colors during the entire fall season.

While shooting these fall colors it started to unexpectedly snow allowing me to capture images with both snow and the fall leaves. These images remain some of my favorite fine art nature images that I’ve taken in recent years. At no other time have I been able to capture both the fall colors and snow in the same images.

Capturing (most of) these images was pretty simplistic. I would drive around the rural roads pull my car over and walk up and down the roads capturing the best leaves. When you point your camera at a subject your camera thinks it needs to make the subject 18% grey. Regardless of if you are photographing a black bear in a cave or a polar bear in the snow your camera thinks the photo needs to be 18% grey. Due to this when shooting in the snow your camera will usually make the images slighting to dark (or underexposed). If you are using an automatic or semiautomatic mode (like aperture priority or shutter priority) you can easily correct this by slighting increasing your exposure compensation to +⅓ or + ⅔ of a stop. Take some test shots to make sure your aren’t making the image to bright (overexposing). Many cameras have a function I usually refer to as the “blinky” which will alert you if their are pixels so bright in your images that they can’t be saved in post production. The pixels will flash red. Turing this feature on is very helpful when shooting in the snow.

The image at the top of this post was captured just down the road from the Dover School. I have photographed these trees numerous times. A few months later I would get images of these trees during a snowstorm which would become one of my most liked images for the year of 2017. Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens handheld. ISO 400 105mm f/2.8 1/1600 of a second shutter speed.

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This next image was shot on the same road near the Dover School but I had to use a different technique to capture it. I moved my camera from left to right shooting several images with the same exposure intending to later merge the images in one large panoramic image later in Lightroom. To make the panoramic stitching easier I made sure to shoot in manual exposure mode the brightness of the images wouldn’t vary. Also using a long lens at a shallow depth of field allows for a look most people aren’t used to seeing in landscape photography. Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 lens handheld. All images which were later stitched together were shot at ISO 400 80mm f/2.8 1/1600 of a second shutter speed. (panoramic)

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This image was shot in the parking lot right next to the Dover School. This is another tree I have returned to and photographed many times in many different seasons. Shot using a Nikon D600 with a Nikon 80-200mm f/2.8 Lens handheld. ISO 400 100mm f/8 1/320 of a second shutter speed. (Dover school snow on tree)

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This last image was shot on Maple Road right off of Tobacco Drive outside Clare, Michigan somewhat near Loomis, Michigan. I used a wider lens to capture more of the scene and stopped down to a narrower aperture (larger f number) to ensure the entire scene would be in focus. From using my Sigma 28-70mm for years I’ve learnt where the lens is most sharp and has the least vignetting which was another factor into why I shot using f/8). Shot using a Nikon D600 with a Sigma 28-70mm f/2.8 lens handheld since I was standing in a road. ISO 1600 28mm f/8 1/250 of a second shutter speed. (maple road)

After photographing Maple Road my windshield wiper motor died. My car is constantly having bizarre yet minor issues with it (this case being the perfect example). I drove to Coleman to get it fixed. I wasn’t able to get it fixed that day so I had to drive in the snow to Midland than evening to a Bible study without windshield wipers. I’m incredibly thankful that I was providentially kept safe during that experience.

 

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